Lauren Sanchez’s ex Patrick Whitehall still going strong with Pia Miller

Lauren who?

Page Six reported back in May that Patrick Whitesell — the WME superagent whose wife, Lauren Sanchez, dumped him for Jeff Bezos — had been on a couple of dates with Australian beauty Pia Miller.

Now we’re told the pair are still going strong three months later. In fact, spies tell us that Miller — a 35-year-old model and actress — and Whitesell are currently on vacation together on a yacht off the Italian coast. We’re told that Miller flew from Australia to Los Angeles to meet up with Whitesell, and then the pair took a private jet to Italy for their romantic getaway.

Meanwhile, we reported that Sanchez and Bezos have also been getting increasingly close, meeting each other’s family and moving into an apartment together.

She filed for divorce from Whitesell in April — who runs the talent behemoth WME with Ari Emanuel and reps Matt Damon, Christian Bale, Kevin Costner and Hugh Jackman, among others — after it was revealed in the press in January that she’d already been dating Bezos for about eight months.

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35 More Songs Old Millennials Grew Up With That Are Now "Classic Rock"

1.Goo Goo Dolls, “Iris”

Why it’s Actually Classic: First off the song is epic! But, it also reflects how much we loved power ballads on our soundtracks back in the ’90s.

2.Eagle-Eye Cherry, “Save Tonight”

Why it’s Actually Classic: Eagle-Eye’s smooth voice accompanied by an acoustic guitar and scattershot drums made for a perfect late-’90s earworm.

3.Semisonic, “Closing Time”

Why it’s Actually Classic: Because Dan Wilson managed to turn a song written about having a baby into an end of the night anthem.

4.The Cranberries, “Zombie”

Why it’s Actually Classic: Of course because of the great, late Dolores O’Riordan! Also, we don’t get protest songs like this anymore.

5.Filter, “Take A Picture”

Why it’s Actually Classic: It’s got killer chunky guitar chords that are accompanied by Richard Patrick’s layered vocals that create an almost Auto-Tuned affect.

6.Spacehog, “In the Meantime”

Why it’s Actually Classic: It almost sounds like something David Bowie would have written if Hunky Dory had been released in the ’90s. Also, honestly, the best bass line of the ’90s.

7.Elastica, “Connection”

Why it’s Actually Classic: Taking the slinky punk of Wire’s “Three Girl Rumba” and exploding it into a hypercolor anthem was truly inspired.

8.Lenny Kravitz, “Fly Away”

Why it’s Actually Classic: That sick opening guitar riff that sounds both retro and futuristic at the same time.

9.Silverchair, “Tomorrow”

Why it’s Actually Classic: Because while this grunge song sounded like it was written and sung by dissatisfied twentysomethings, it was actually written and performed by a 15-year-old!!!

10.Marcy Playground, “Sex And Candy”

Why it’s Actually Classic: Because “I smell sex and candy here” might be the most catchy chorus of any post-grunge song of the ’90s.

11.The Smashing Pumpkins, “1979”

Why it’s Actually Classic: The song was nostalgic for a simpler era then, and today we’re now nostalgic for the era in which this song was released, ’cause it was simpler time.

12.Liz Phair, “Never Said”

Why it’s Actually Classic: Because Liz was a pioneer and Exile in Guyville is an absolute seminal album.

13.Toadies, “Possum Kingdom”

Why it’s Actually Classic: The simple but endlessly catchy, chunky guitar riff and the weirdly mysterious lyrics were just a cool combo.

14.Everclear, “Everything To Everyone”

Why it’s Actually Classic: This maybe wasn’t the most popular Everclear song, but it has this lightness and effortlessly lilting melody that makes it sound kinda timeless.

15.Red Hot Chili Peppers, “Scar Tissue”

Why it’s Actually Classic: The lead single off Californication marked RHCP’s return to form — mainly ’cause John Frusciante had rejoined the band.

16.Lit, “My Own Worst Enemy”

Why it’s Actually Classic: A big dumb riff that’s perfect and big dumb lyrics that you can’t help but yell-sing along to.

17.Rancid, “Ruby Soho”

Why it’s Actually Classic: I know comparing a band to legends like the Clash is fraught, but like… it’s just the right amount of Clash-ness with Tim Armstrong’s manic, falling apart energy.

18.Harvey Danger, “Flagpole Sitta”

Why it’s Actually Classic: Because this is still great song to scream along to any time it comes up on your playlist. Also: super underrated karaoke jam.

19.The Mighty Mighty Bosstones, “The Impression That I Get”

Why it’s Actually Classic: It perfectly incapsulates the energy and fun of ’90s third wave ska.

20.New Radicals, “You Get What You Give”

Why it’s Actually Classic: ‘Cause the lyrics “Fashion shoots with Beck and Hanson/ Courtney Love, and Marilyn Manson” are late ’90s perfection.

21.Sugar Ray, “Every Morning”

Why it’s Actually Classic: Because it manages to bridge pop and alt-rock together perfectly. Also, lets never forget Mark McGarth’s frosted tips!!!

22.311, “All Mixed Up”

Why it’s Actually Classic: Because it’s reggae rock in its purest form.

23.Len, “Steal My Sunshine”

Why it’s Actually Classic: This song is what the summer of 1999 sounded like!

24.Weezer, “Undone ⁠— The Sweater Song”

Why it’s Actually Classic: Somehow they made having extended spoken word parts work? Manages to be both idiosyncratic and anthemic, which is a neat trick.

25.Sneaker Pimps, “6 Underground”

Why it’s Actually Classic: Perfectly blends cooing harmonies, trip hop, and slinky, minimal production. The song is also an example of how Nellee Hooper could transform any song into a hit.

26.Folk Implosion, “Natural One”

Why it’s Actually Classic: Lou Barlow supposedly disowned this song, refusing to perform it live, but it combines lite psychedelia with an off-kilter funkiness that was weirdly satisfying.

27.Cake, “Never There”

Why it’s Actually Classic: Like the Violent Femmes and The Cure, Cake has a signature sound that is uniquely theirs and leaves their music sounding sort of timeless.

28.Blind Melon, “No Rain”

Why it’s Actually Classic: Such a sweet and airy melody, feels like getting caught up in a light breeze and floating away.

29.The Cardigans, “Lovefool”

Why it’s Actually Classic: You could literally start singing this at any bar and everyone over 30 will immediately sing along and know all the words to it.

30.Deep Blue Something, “Breakfast At Tiffany’s”

Why it’s Actually Classic: “And I said what about” is a so deceptively catchy at the start of the chorus. Also has that classic ’90s contrast of strummy lightness with crunching walls of guitars.

31.Live, “Lighting Crashes”

Why it’s Actually Classic: Mixes the mystery of deep and heavily symbolic lyrics with a simple and lovely guitar-and-vocals accompaniment for most of the song. When it all comes, err, crashing in halfway through, it feels poignant somehow.

32.Collective Soul, “The World I Know”

Why it’s Actually Classic: It’s a perfect mid-’90s sweeping ballad that somehow never gets old.

33.Jewel, “You Were Meant for Me”

Why it’s Actually Classic: From an era rife with delicate singer-songwriter hits, “You Were Meant for Me” stands out, with Jewel’s gnarled delivery and that still-dazzling falsetto melody.

34.Dave Matthews Band, “Crash Into Me”

Why it’s Actually Classic: Just ask Greta Gerwig.

35.The Verve, “Bitter Sweet Symphony”

Why it’s Actually Classic: The legal fight over the credits and royalties to this song is the MOST classic music industry story ever.

Listen to this ~Classic Rock~ playlist on Apple Music.

Or on Spotify:


  • 35 Songs Old Millennials Grew Up With That Are Now “Classic Rock”Brian Galindo · July 30, 2019

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Taylor Swift Announces 'Lover' Enhanced Album — Here's What That Means

OK, Swifties, take a deep breath. Are you ready for this? Taylor Swift has yet another announcement ahead of the Lover album release on Aug. 23, 2019. There’s been so much going on, but it seems like she’s happy to spoil her fans. Here’s a look at what’s in store for us now.

Swift has released four tracks from Lover so far

Fans already have a taste for Lover, and they’re obviously excited for more. First, we were given “Me!” featuring Brandon Urie of Panic! At the Disco — a bright, shining pop song perfect to kick off this new era. Then came “You Need to Calm Down,” which is Swift’s latest tongue-in-cheek nod to the haters, this time against all of the homophobes on social media and beyond.

The last couple of weeks have been full of even more TSwift goodness. First, there was “The Archer,” a synth-heavy, cinematic single that feels like yet another love letter to boyfriend Joe Alwyn. But then came the most romantic track of them all: “Lover,” which is about to be the first dance slow song at every 2020 wedding.

She has been counting down in typical Taylor style

We now know all 18 tracks off of Lover, as well as their placement on the album (numbers are always important when it comes to a Swifty Easter egg hunt). And as the 23rd draws very, very close, Swift has continued to share with us, along with a signature countdown.

Beginning with her favorite number, 13, Swift counted down to the Lover release date (the palm trees were a cute touch, as a nod back when fans were scouring her social media for clues prior to “Me!”). Her latest is a fence with five holes in it, and which she notes in the caption, also as a call back to earlier this year. 

Swift’s latest Lover announcement

Taking to her Instagram stories on Aug. 20, 2019, Swift said the following: “Hey guys, it’s Taylor. Welcome to the Lover enhanced album playlist. Every day until the release of my new album, Lover, I’ll be sharing unreleased lyrics that nobody’s seen before. So keep checking back.”

She includes a link there to the Spotify playlist. So far, the playlist simply features the welcome video (the same as in her stories) and the first set of lyrics, in an eight-second clip. The playlist also includes plenty of her favorite songs, including “Easy Silence” by the Dixie Chicks. Finally, the previously released Lover tracks are all there.

Why is Lover different from Swift’s previous albums?

Lover is Swift’s seventh studio album. But it’s also a notable first. After parting ways with Big Machine Records back in 2018, Swift signed a new deal with Universal Music Group under Republic Records. And now, unlike before, she owns the rights to her master recordings.

You’ll recall when Swift posted on Tumblr, calling out Scooter Braun? Which turned into a whole thing involving Justin Bieber and myriad other celebrities on social media? Yeah, this is what that was about. But moving forward, Swift will own everything she makes, which makes Lover very special to her.

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31 Movies To Watch Before They Leave HBO This September

There are a ton of new movies to stream on HBO this September, but that also means saying goodbye to some faves. Here’s what to stream on HBO this month before it’s gone:

Deadpool 2

Mean Girls


Just Wright

Weekend at Bernie’s, and more.

Here’s the full list of every title leaving HBO this September:

Ending Sept. 5

The Water Diviner

Sept. 22

The Green Inferno

Sept. 25


Sept. 27

Just Wright

Sept. 29


Beyond the Reach

Breaking In


The Client

Courage Under Fire

Deadpool 2


Half Baked

Hellbound: Hellraiser II

The Inevitable Defeat of Mister and Pete

Jonah Hex

Mean Girls

Mr. Brooks

Psycho (1998)

Psycho II

Psycho III



The Spy Next Door



Uncle Drew

Weekend at Bernie’s

Where the Heart Is

The Wicker Man

Z for Zachariah

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Khloé Kardashian Is Being Mom-Shamed Again, But She Isn’t Having It

If you poke Mama Bear, you might just get clawed. Just ask the troll who accused Khloe Kardashian of using True as an accessory — the reality TV personality clapped back in a big way over the idea that her relationship with her daughter is in any way for show. The exchange took place after Kardashian shared a photo of herself on vacation in the Bahamas with baby True “creating magical memories,” as she corrected the keyboard critic.

ICYMI, Kardashian has been documenting her Bahamian family vacation on social media over the last week, sharing everything from selfies to serene shots of the scenery. In one particular photo, Kardashian shared a sweet moment of her walking down the beach with True on her hip. It didn’t take long for a denizen of the internet to find fault with the photo, though. “U do know that your baby isn’t an accessory right?” trolled the commenter.

Kardashian was ready with a response. “Would you like a parent NOT to create memories and traditions with their child? Would you like someone else to watch my child and me to do these things on my own?” she asked, continuing, “I am her mother and we will celebrate life together everyday. True and I are creating magical memories TOGETHER FOREVER.”

While Kardashian is undoubtedly used to fending off negativity on her posts, perhaps she simply reached her threshold of tolerance for the week. After all, the Kardashian family seems to be having a rough go of it with the internet right now. In the comment thread of another vacation photo, critics accused Kardashian of imprinting “toxic diet culture” on her daughter.

In the snapshot, True and her cousin Chicago West sit with bags of Cheetos and Veggie Straws in their laps. Kardashian captioned the photo, “Chi: I heard my mama say ‘vacation calories don’t count.’ True responds: ‘Don’t tell me twice Chi.’” Kardashian meant the exchange as a joke, obviously, but the internet worried that perhaps this is the sort of potentially damaging rhetoric Kardashian will use around True as she gets older.

Kardashian’s sister Kourtney also came under fire, albeit for a somewhat mind-boggling reason. After sharing a series of photos of her with her kids on vacation in Idaho, Kourtney found herself being criticized for not working enough (we’re still scratching our heads over this one, TBH).

And her response to haters works equally well in her situation and her sister’s “accessory” debate: “As women, we should be supporting each other for what allows us to be our best, not being so critical and judgmental of each other. We all do things in our own way.”

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Netflix Found the Star of Its Selena TV Series, and All We Can Say Is "Bidi Bidi Bom Bom!"

Netflix’s series following the life of Selena Quintanilla might have found its star. On Tuesday, Vulture reported that The Walking Dead‘s Christian Serratos is in talks to play the Tejano music legend, who was murdered at just 23 years old. Serratos, who has played Rosita on AMC’s zombie series since season four, is still in negotiations to play Quintanilla in Netflix’s scripted drama, with The Hollywood Reporter sharing that scheduling conflicts tied to production in Atlanta on The Walking Dead‘s 10th season are holding things up.

A premiere date and episode count (as well as episode length) for Selena: The Series have yet to be revealed by the streaming site, but the story is reportedly designed to run two seasons, and will begin shooting in Mexico at some point next month. It will be a coming of age drama focusing on the musician’s evolution from small-town singer in the early ’80s to internationally known star, marking her place in history as one of the most beloved Mexican-American entertainers. Later dubbed the “Tejano Madonna,” Quintanilla won a Grammy in 1994 and still ranks as the bestselling female artist in Latin music history.

The singer was murdered in 1995 by her best friend and the president of her fan club, Yolanda Saldívar, who is serving a life sentence in a Texas jail. The Netflix series will presumably follow the music and fashion icon’s life from her teen years up until her tragic demise in her early 20s.

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Strictly Come Dancing star Bruno Tonioli, 63, poses in a pair of tighty whities with designer pal Kelly Hoppen – The Sun

STRICTLY star Bruno Tonioli doesn’t give himself much ballroom in a pair of tighty whities.

The Italian judge, 63, wore budgie smugglers in a snap taken with interior designer pal Kelly Hoppen, 60, at an undisclosed location.

He shared the snap to Instagram and wrote: “Laughter is always the best medicine #fun #lifeisshort #nevertakeyourselftooseriously”.

Rehearsals are now underway for this year’s new series, starring actress Catherine Tyldesley, former England goalie David James and reality star Jamie Laing.

Let’s hope they’re not pants.

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10 Things You Didn’t Know About Prada Marfa

Marfa is a small city in Texas with less than 2,000 inhabitants. The place is far away from the glamorous fashion centers of the world, such as New York, Paris or London. All the same, though, Marfa has become famous for having a Prada ‘store.’

RELATED:  10 Most Expensive Art Installations In Recent Memory

Prada Marfa gained global recognition and interest thanks to the Internet and social media. It is impossible not to notice it, seemingly plonked down at random in the middle of nowhere. Why would Prada choose this place? Well, it was not a random decision. There is a meaning behind it. Curious? Keep scrolling and discover everything about Prada Marfa.

Click the button below to start this article in quick view

10 It is not a real store

You might have seen pictures of this curious Prada store in the middle of nowhere. No, the brand did not expand their activities to the middle of the desert. In fact, it is not a store, but an art installation.

The building is similar to other Prada stores, and there is even a showcase of the products. However, it is never open and the products are not for sale. Nothing is random, though. There is a whole meaning behind Prada Marfa and its location.

9 The minds behind it

The art installation was created by the Scandinavian artists Michael Elmgreen and Ingar Dragset. They have worked together since 1995 and Prada Marfa is their most famous piece to date.

RELATED:  10 Most Expensive Works Of Art You Can Buy Today

The artists had the idea when they were walking in Chelsea and noticed that Soho was full of high-fashion brands. They decided to playfully attach posters saying “Prada, coming soon” in front of an art gallery. Not everybody understood the joke and people thought they were closing.

8 It was expensive

Some people got the meaning behind the posters. Yvonne Force Villareal and Doreen Remen loved the idea and helped to create Prada Marfa. They contacted Michael Elmgreen and Ingar Dragset, and together they developed the idea of the project.

Prada Marfa cost $120,000 to build. Villareal and Remen financed the project through their Art Production Fund. “The installation was initially meant as a sort of an experiment,” Elmgreen & Dragset said. “We really wanted to see what could happen if one would make a fusion of pop and Land art. It was also meant as a comment on branding and consumerist culture.”

7 It will not be renovated

Although it carries the Prada label, the artwork is not a shop. The initial idea is never to repair the building and let it degrade during the years. Perhaps the idea is to show a symbol of consumerist society ruined by time. The marks caused by nature or humans can also somehow tell more about our culture.

“We loved the idea of the piece being born on October 1 and that it will never again be maintained,” Villareal said in an interview with The New York Times.

6 Prada Marfa is a target for vandalism

Although the initial idea was never to renovate the building, the place became an easy target for vandalism, which made people change their minds.

RELATED:  10 Most Expensive Robberies in History

In 2005, someone broke the window and stole some of the expensive merchandise. The items and made some changes. The valuable pieces are protected by tracking technology now. They also replaced the windows, and Prada Marfa now has a camera and an alarm. In 2014, a vandal splashed blue paint on the walls, which ruined the front of the installation.

5 Few people attended the opening

As you know by now, Marfa is a small city in Texas, and it is far away from the artistic spotlight. The idea of Prada Marfa is to show a brand like Prada away from cities like Milan, New York, or Paris and introduce it in a whole new context.

Unsurprisingly, few people were able to attend the opening. “No-one was there for the opening … There were just some ranchers that were there and five friends from New York,” Elmgreen said.

4 Prada approved the project

Prada is one of the most valuable fashion brands in the world. As such, a project such as this could never exist unless the brand approved it. If they hadn’t, perhaps the artists would have had to pitch to other high-fashion brands like Chanel or Dior?

The team had a meeting with Miuccia Prada and presented the project to her. The stylist not only approved but supported the idea. The brand provided shoes and handbags from their most recent collection. As we know, some of the items were stolen in the same year and replaced with new ones.

3 Beyoncé helped to promote it

Prada Marfa was created in 2005 and remained almost invisible for years. Although some people knew about it, the artwork only came into the spotlight when Beyonce took some pictures in front of it. The “Single Ladies” singer posted the images on her social media. As everything she does gets a lot of attention, it was enough to rocket Prada Marfa to international fame.

After that, other names like the Italian influencer Chiara Ferragni visited, Vogue staged a photoshoot there and Prada Marfa become a bona fide tourist attraction.

2 Brands can’t use it for advertisement

Tourists can feel free to take pictures of the place, but brands need to request permission. However, it is unlikely it will be approved.

Prada Marfa gained visibility and several brands have reached Michael Elmgreen and Ingar Dragset. All of them wanted to use the place as a photoshoot location. The artists never allow companies to use Prada Marfa on their campaigns. Their decision makes sense, since the art installation was not built to make money from. Prada Marfa is also a way to make people think about consumerism, and it would be odd to see commercial campaigns with the building in the background.

1 Not everybody likes it

Prada Marfa was almost demolished in 2013. Although it is an art installation, the Prada label brought some issues. According to the Texas Department of Transportation, Prada Marfa is an “illegal outdoor advertising sign.”

The artists released an official letter saying that “there’s a difference between being commissioned by a company to do something for them and using their logo, and using their logo on your own.” Although it’s controversial, Prada Marfa is still standing.

NEXT: 10 Ugly Pieces Of Art You Won’t Believe Sold For Millions

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Mumford & Sons Curating Destination Festival In Cancun

Mumford & Sons announced that the band will curate the inaugural Agora Del Mar event in partnership with CID Presents.

Agora Del Mar will take place at Moon Palace in Cancun, Mexico, during February 27 – 29 next year.

“We have not spent enough time in Mexico and we want to make up for it. So in February 2020, we are curating Gentlemen of the Road Presents Agora Del Mar in Cancun with all our favorite bands,” the British rock band said on its website.

“We will play two unique sets over the three day event and there will no doubt be the usual collaborations with the artists we are so excited to share the weekend with,” the band added.

Pre-sale of tickets for the shows will begin on August 21 at 1 pm ET, while general sales will start a day later.

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Netflix's former head of kids programming breaks down the major streaming services in the family market, and how his new startup is selling to them

  • With the launch of Disney Plus around the corner, more streaming services like CBS All Access and The Roku Channel are going after kids and family audiences.
  • Andy Yeatman, a top exec at the kids entertainment company Moonbug and former director of kids and family content at Netflix, told Business Insider that the trend is partly aimed at keeping subscribers from canceling as the streaming landscape gets more competitive.
  • “The more members of the household that use a service, the stickier it is, the more likely they’ll stay members, and less likely they’ll be to cancel in between seasons of their favorite shows,” Yeatman said, adding that the finding stems from his Netflix days.
  • The top buyers of kids content are the streaming platforms you’d expect, like Netflix, Amazon, and Hulu, Yeatman said. But the marketplace is becoming more competitive.
  • Click here for more BI Prime stories.

More streaming companies, like CBS All Access and Roku, are going after kids and family programming, just as Disney is nearing the November launch of its family-focused Disney Plus service.

The Roku Channel, which aggregates content from free and select subscription services,announced on Monday a new section that will pull in kids and family content across apps and offer a new parental control that would require a PIN to watch content on the channel with more mature ratings. CBS — ahead of its merger with Nickelodeon and Noggin owner, Viacom — said in August that it would soon bring kids programming into its five-year-old streaming service, CBS All Access, with library content and original series tied to franchises like “Danger Mouse” and “Cloudy with a Chance of Meatballs.”

But it’s not only the Disney effect that is intensifying the streaming battleground for kids content, Andy Yeatman, head of the Americas at Moonbug Entertainment, a media startup that acquires and builds out children’s brands like “Little Baby Bum,” told Business Insider.

Andy Yeatman.Moonbug

The former director of kids and family content at Netflix said that subscription-video services are tapping into kids content to keep subscribers from canceling, especially as new entrants — like Disney Plus or Apple TV Plus — hit the market.

“So many of these companies have incredible content that will attract people to sign up,” Yeatman told Business Insider. “But they need more kinds of content to round out their offerings and appeal to more members of the household in order to get them to stick around.”

Kids content helps retain subscribers

Kids content is often not the main reason people sign up for streaming services, but it’s a good way of keeping subscribers from canceling.

Kids programming tends to be watched more regularly than other types of content. Netflix, for example, has said that roughlyhalf of its members watch kids and family programming every month.

“Something that we saw when I was at Netflix was that the more members of the household that use a service, the stickier it is, the more likely they’ll stay members, and less likely they’ll be to cancel in between seasons of their favorite shows,” Yeatman said. “One of the great things about the kids market is when something really resonates with kids, it can have a very long shelf life.”

Netflix has been commissioning originals for kids since at least 2013. Yeatman oversaw Netflix’s slate of kids and family content from 2014 to 2017, but wasfired in December of that year over his response when asked at achildren’s soccer game about sexual misconduct allegations against former “The Ranch” star Danny Masterson, who waslater fired by Netflix (“Maybe in this case we don’t believe them,”Yeatman said at the game).

In May, Netflix acquired the kids’ entertainment brand, StoryBots, in the third acquisition in the company’s history,Variety reported. And in July, itannounced a slate of seven new shows for preschool-aged children.

Moonbug, founded in 2018, says it has 15 shows, which it distributes in 13 different languages across streaming platforms including YouTube, Netflix, Amazon, and Hulu. The UK-based company raised $145 million in an early-stage round of venture funding last December, data from PitchBook shows.

Yeatman,who joined Moonbug in January, said companies like Moonbug are a testament to how many more options there are for distributing and producing children’s content today.

“We’re completely new and we’re producing dozens of shows today that are finding big audiences around the world,” Yeatman said.

Selling kids shows

Right now, the biggest buyers of kids content are the streaming platforms you might expect, like Netflix, Amazon, and Hulu, Yeatman said. But the marketplace is becoming more competitive.

“We’re seeing great demand from a number of platforms, both domestically and internationally for kids content, particularly for kids content that is already proven to resonate with audiences that already has some existing awareness,” Yeatman said.

Buyers, particularly streaming services that are programming for an on-demand environment where audiences choose what they want to watch, are drawn to IP that has an existing viewer base, Yeatman said.

Moonbug, which acquires and builds digital shows into broader franchises, touts metrics like the number of YouTube subscribers or video views a given property has when shopping shows to distributors, he said. The company said it has 55 million subscribers and over one billion views per month across its properties.

Having a big-name creator attached to a series can also help attract buyers, Yeatman said. Netflix inked anoverall production deal in 2018 with “Doc McStuffins” creator Chris Nee to develop new series for exclusively for the platform.

Entirely original works are harder sells,as is the case elsewhere in the entertainment industry.

“The creative has to be something that hasn’t been seen before,” Yeatman said. “And that’s becoming increasingly difficult as there’s so much content being launched on different platforms.”

The challenges of kids programming

Some streaming services may have also waited to get into the kids content until their platforms were more established, because kids programming adds some complexity, Yeatman said. Companies have to think about things like parental controls, content safety standards, and advertiser restrictions that aren’t needed for other types of streaming services.

YouTube started streaming video in 2005, for instance, and didn’t add a destination for kids until 2015. Even then, inappropriate andsometimes disturbing videos have made their way into YouTube Kids, which is comprised of user-generated videos like the main platform.

Meanwhile, kids TV networks have beensome of the worst hit by cord-cutting, as children gravitate to streaming services.

With parents looking for safer streaming alternatives, and Disney’s plans to build a streaming service with 60-90 million members in five years on the backs of kids and family content, the category is one other general-audience platforms can no longer ignore.

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